Wild Rhythm ▏野·笙

Project Information | 项目信息

Project name：Wild Rhythm Life Aesthetics Place

Location：E-Cool.YubeiDistrict.Chongqing

Area: 350㎡

Design director：Steven • 文超

Design Assistant：Yu Xiangrong •  余向蓉

Design crew：Jade Simple Design

Completion time：May. 2019

Photography：In Space

Illustration：Potato •  姚媛丽

很早以前我便有一个成为木匠的梦想，总爱捣弄木头去做一些稀奇古怪的小东西；后来我开始学习美术，也顺理成章成为了一名室内设计师，虽然每天的工作开始繁琐起来，建筑结构的思考也成为了主导，但对于原木的偏好，我却始终没有减弱，甚至在一定程度上，它已经慢慢的成为我的一种符号，融入到我设计里，以及我的生活中。

Long ago, I had a dream of becoming a carpenter. I like to make some special things out of wood. Later, I began to learn art and became an interior designer. Although the daily work began to be cumbersome and the thinking of architectural structure became dominant, I still preferred wood. To some extent, it has slowly become a symbol of my design and life.

在我的设计中，水泥与原木是我最爱运用的材质，而这些材质的运用，并非是因为当下所流行的自然主义或者极简风格所致。而是取决于我从小生活在工厂宿舍院的经历所产生的反馈。这种反馈如同一颗种子一样，深深的扎根于我的心里，不断地产生着某种奇妙的反应，也通过这些不同的反应，阐释着我对于这些空间的不同理解。

In my design, cement and wood are my favorite materials. The use of these materials is not due to the prevailing naturalism or minimalism. It depends on feedback from my experience of living in a factory dormitory. This feedback, like a seed, is deeply rooted in my heart and constantly generates some kind of fantastic response, which explains my different understanding of space.

而“野笙”，便是我对于这一思考的深度阐述。

建筑在满足于遮风挡雨后，生活得以开始稳定持续的发展，家具，顺理成章的成为了除开使用者以外，空间里的主角。这得益于每个人不同的生活习惯与方式，所以，在不同的空间中，有着各不相同的家具形式，而这一形式与建筑空间本身又产生着微妙的反应，从而形成不同的空间氛围气质。而我，便是希望以此为媒介，使得整个空间得以适度的平衡。于是，实用主义，成为了家具设计中的主体思考。所以，家具细节中所有的趣味设置均与实际使用功能产生着联系，如同一个个的小心思，等待着使用者去打开。

And "Wild Rhythm" is my best explanation of this kind of thinking. After meeting the basic needs like shelter from the wind and rain, life can begin to develop steadily and continuously. Furniture is the main character in the space besides the users. This benefits from everyone's different living habits and ways, so in different spaces, there are different furniture forms, which have subtle reactions with architectural space, and ultimately get different space atmosphere and temperament. And I hope that as a medium, the whole space can be moderately balanced. But this thinking still relies on the principle of human's basic needs. Among them, physical needs, safety needs, and social needs are met in the residence, and furniture is connected with the possibility and convenience of these needs.So pragmatism has become the main thinking in furniture design. All the interesting settings in the furniture details are related to the actual use function, like a door to the secret, waiting for the user to open it. 

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最佳亚太设计奖（Best of Asia Pacific Design Awards）是 IIDA 国际室内设计协会旗下最具行业影响力的赛事之一，旨在甄选和褒奖亚太地区最卓越、最具设计创意的室内设计和室内建筑项目。近日，组委会公布了本届评审结果，最终共有来自中国（含港澳台）、日本、印度、泰国、新加坡的18套作品脱颖而出，荣膺各类别大奖。其中，来自简璞设计的《野笙生活美学馆》成功获得展示空间类唯一WINNER，并将于2020年1月18日在巴黎举行颁奖典礼。