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简璞设计

The sun is as soft as cream

阳光如奶油般温柔

SCALE 尺度

一个128平米的住宅，实则算不上是一套大的居所。但如果，这128平米，只为一个人所专享，那这样的人均占有尺度？又是否能算得上奢侈？

那么，在这样的诉求逻辑之上，怎么满足于业主的真实诉求，利用好每一寸面积，便显得至关重要。同时，人与空间的尺度，又将以何种方式去呈现，是我们需要解决的根本问题。

A residence of 128 square metres is not really a large home. But if this 128 square metres is for the exclusive use of one person, is this a size of occupancy per person? Can it be considered a luxury?

So, on top of this logic of demands, it is crucial to meet the real demands of the owners and make good use of every inch of the area. At the same time, the dimensions of people and space, and the way in which they are presented, are the fundamental questions we need to address.

于是，原本大三居的房屋结构形式被重新分配。但重新分配的空间，并非因为一人居的需求而全部开放。反之，因为真实的使用场景，以及未来不可预见的可能性等因素，我们将空间明确的划分出了动、静两个关系。“动”为开放的公共区域，它串联起了业主在该空间中所有的生活喜好与社交需求。在这个空间里，各功能区域即连贯，又明确，并非因其开放的关系而显得过分的融合而无序。适度的尺度关系，才能满足更好的使用场景。而“静”则为私密生活空间，这里囊括了睡眠区、卫生间、以及独立的衣帽空间，将近2/5的区域，作为了其完全私享的状态。即私密，又从容。

As a result, the structural form of the original large three-bedroom house was redistributed. But the reallocated space is not all open because of the need for one person. On the contrary, because of the real use scenario and the unforeseen possibilities of the future, we have clearly divided the space into two relationships: dynamic and static. The "movement" is the open public area, which connects all the owners' living preferences and social needs in the space. In this space, the functional areas are coherent and clear, not overly integrated and disordered by their openness. The right scale of relationship allows for a better use of the space. The "quiet" area is a private living space, which includes the sleeping area, the bathroom and the separate cloakroom, with nearly 2/5 of the area being completely private. It is private, yet relaxed.

EXPRESSION 表达

可能你很难想象，这是一位年过五旬“姐姐”的私人居所。并且在这一次的设计中，我们的过程并不算顺利。但不顺利的原因却并非是业主对于设计方向的保守和固执，而是我们先入为主的认为，我们需要给到她一个更加“适度”、“经典”的设计方向。

It may be hard to imagine that this is the private home of a 'LADY' in her fifties. And in this case, the process did not go smoothly. The reason for this was not the conservatism and stubbornness of the owner, but our preconception that we needed to give her a more 'modest' and 'classic' design direction.

但在后面不断的沟通和了解后，我们才发现，业主所要表达的生活态度，是专属于自己的真实世界。而这，不正是私宅设计的真正内核吗？家的私设计，本身就需要专注于使用者最真实的状态和诉求，而这一诉求，便是业主最真实的表达。甚至，是她与这个世界对话的一种方式。

However, after continuous communication and understanding, we realised that the owner's attitude to life was her own real world. And isn't this the true core of private house design? The private design of a home needs to focus on the user's most real state and demands, and this demand is the owner's most real expression. It is even a way for her to talk to the world.

STYLE 风格

所以，风格不复存在。在这里，无关乎经典或者流行。亦没有强烈的设计手法，一切都是为了舒适且平和的存在，并努力通过这一平和的空间环境，将业主的真实诉求和喜好，囊括其中。

So style ceases to exist. Here, it is not about classics or fashions. There is no strong design approach, everything is designed to be comfortable and calm, and through this calm space environment, we try to encompass the real needs and preferences of the owner.

于是，大面积的白墙和本色原木质感的木地板成为了空间的主体，干净且温和。也正因其空间主体的友善，才将不同风格形式的功能空间，串联在了一起。

我们一直谈风格，谈喜好。实则，在当下，我们所有的喜好，都呈现出了复杂且多元的情况。我们很难再只喜欢一个方向或形式。所以，最后的最后，作为一个非专业人士的私宅空间，我们真正要做的，就是通过我们的专业手段，将其喜好尽可能的去融合其中，并通过一些小小的智慧，去达到一种平衡。而这，便是设计师该做的事儿。

As a result, the large white walls and the original wooden flooring are the mainstay of the space, clean and gentle. It is also because of the friendliness of the main body of the space that the different styles and forms of functional space are linked together.

We talk about style and preferences all the time. In fact, in the present day, all our preferences are complex and diverse. We can hardly prefer just one direction or form. So, at the end of the day, as a layman's private space, what we really have to do is to integrate our preferences as much as possible through our professional means and, with a little wisdom, to achieve a balance. And that is what designers do.